By Craig Lockard
No matter what its present position and value in Anglo-American society, renowned tune has been and continues to be a massive social and cultural strength in lots of elements of the area. this article explores the connections among well known song genres and politics in Southeast Asia, with specific emphasis on Indonesia, the Philippines, Thailand, Malaysia and Singapore. over the last few a long time, the international locations of Southeast Asia have reverberated to the song of superstars like Indonesia's Rhoma Irama. Articulating the perspectives of powerless electorate, they supplied a serious discourse on nationwide and foreign affairs. a few have been even pointed out with mass-based sociopolitical hobbies looking switch.
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Extra info for Dance of Life: Popular Music and Politics in Southeast Asia
Indonesian cultural critic Ignas Kleden reports that in Indonesia the word “pop” is understood to mean something not very serious. Therefore if one talks about pop culture, one appears to refer to the cultural products and cultural behavior which are thought not to belong to the cultural establishment. Pop culture, created not necessarily in accordance with the formal criteria of “high culture” is denied recognition by the cultural elite. . In Jakarta . . 35 In the nonindustrialized world, including most Asian societies, there were also distinctions between urban and rural cultural hierarchies.
39 This culture has been both immediate and pervasive, intellectual and lightweight. But whatever the content and appeal, many observers believe that mass-mediated culture has chiefly served the interests of the political-economic power elite dominating the social pyramid. It has done this by programming mass consciousness through a form of infrastructural authoritarianism, hence belying its apparent superstructural egalitarianism. Mass-mediated culture has also expressed and determined human descriptions of life and definitions of reality while spreading specific values and ideologies; it has not been a value-neutral force.
That distort[s] reality and ignore[s] the basic problems of society . . ”45 The effects have been characterized by a British scholar, paraphrasing an American song: The rich get rich and the poor get poorer. 46 It is hard to dismiss these trenchant critiques. S. 47 The commodification of culture is extolled by some enthusiasts for capitalism, indirectly supporting the Frankfurt view. Hence Mark Fowler, commissioner of the Federal Communications Commission in the Reagan administration, described television as “just like any other business .
Dance of Life: Popular Music and Politics in Southeast Asia by Craig Lockard