Computer Music: Synthesis, Composition, and Performance by Charles Dodge, Thomas A. Jerse PDF

By Charles Dodge, Thomas A. Jerse

ISBN-10: 0028646827

ISBN-13: 9780028646824

This article displays the present nation of machine expertise and song composition. The authors provide transparent, sensible overviews of software languages, real-time synthesizers, electronic filtering, man made intelligence, and masses extra.

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Example text

The basic storage element rec­ ognized by the operating system in a modern computer is the file; it may contain a pro­ gram, a collection of data, or both. The length of a file is determined by its contents. To execute a program that is stored in external memory, the CPU incorporates the program into the main memory by "loading" the appropriate file and then instructing itself to begin execution at the beginning of the new program. Data files may contain any type of information. A program can instruct the CPU to transfer the contents of a particular data file into the main memory for use in its operations.

1 shows score input for one of the most common current Music N languages, Csound, for the music in the example. Each line in the score input for the language consists of an alphabetic code, i, followed by numerical values. The alphabetic code denotes the type of statement (only statements that generate notes are shown), and the numbers represent parameter values that will be passed to an instrument. Each parameter resides in a "field" called a p-field. In exam­ ple 1 . 1, the code makes use of five p-fields.

An OS fur­ nishes many useful services. For example, an OS contains the software for communica­ tion through the I/O devices, such as the procedure that enables users to enter commands from a keyboard. An OS also provides for the orderly transition of control of the CPU from one program to another, thus making it possible to link programs togeth­ er. The OS also makes it easy for the user to handle the information stored in the mass­ storage devices. This important service will be described later in the section.

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Computer Music: Synthesis, Composition, and Performance by Charles Dodge, Thomas A. Jerse

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