By Marcus Herbote und Wilfried Zetsche
Half 1 – The GR.1/GR.3/T.2 and T.4 of the RAF in GermanySized A4, softcover, sixty eight pages of content material, approximately a hundred and sixty pictures and photographs, in most cases in color, English/German textual content, bilingual captions, unit insignia and patches, colored portraits and drawings.
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The battle over Technik und Kultur took place against a background of military defeat, failed revolutions, successful counterrevolution, a divided Left, an embittered and resentful Right, and Germany's famous illiberalism, which could not withstand the challenges of the political extremes. Weimar culture was the crucible in which the cultural synthesis I am calling reactionary modernism was both forged and given a new, harder edge that would eventually bring it into line with the cultural revolution Hitler promised.
Stern, Hitler, pp. 43—9. On Wagner, see Jacques Barzun, Marx, Darwin, and Wagner (New York, 1958), pp. 231—339. " ! On this see Karl-Heinz Bohrer, Die Asthetik des Schreckens: Die Pessimistische Romantik und Ernst Jiingers Eriihwerk (Munich, 1978), esp. pp. 13—64, which includes his discussion of the separation between aesthetics and morality in the European avantgarde from 1890 to 1930; and Ansgar Hillach, "Die Asthetisierung des politischen Lebens," in Walter Benjamin in Kontext, ed. Walter Burkhardt (Frankfurt, 1978), pp.
See chap. 7. 57 38 The conservative revolution in Weimar of adherents of the conservative revolution such as the philosopher Ludwig Klages, the poet Paul Ernst, and the journalist Ernst Niekisch. 61 Its main theme was this: Human history consists in the growing domination of Geist (mind) over soul, of consciousness over dream and fantasy, of concepts and logic over imagery and myth. This all-powerful, disenchanting Geist characterizes Christianity, Marxism, liberalism, and modern science and technology.
British Harriers (1) by Marcus Herbote und Wilfried Zetsche