By Daphne Oram
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Extra resources for An individual note: of music, sound and electronics (A Galliard paperback)
Meanwhi le the music is bringing into being its CELEtal quality - its essence, its spirituality. Only if the physical waveband and the mental waveband are pleasurably resonating will the celetal allow itself to be affected. How often do we hear a performance which fails ever to touch us? For the perfomlers are too involved in their mental and physical wavebands to have any chance of transmitting 53 in the celetal band, and we, for our part, are far too worried . . ) . far too worried to allow our mental and physical wavebands to become acceptor circuits at all.
But there is another, rather drastic alternative. As we saw ill Chapter 6, if we put an extremely heavily overloaded signal into a tape recorder, the recording tape cannot take it and 'records silence'. Peace will reign at last (until the feedback volume gradually nses agal1l). 72 Do we find that this overloading-into-silence is applicable to the human brain? 'Overloading' the human brain means giving it a shock- giving it such a sudden, violent jolt that thought is momentarily banished and even the very recent memories are also, momentarily, blanked out.
The coals fonn fascinating, grotesque shapes, some fiery red, some sullen black. Tongues of flame, blue and yellow, create crazy rhythms as they dance. You cannot predict what will happen next, yet you feel beneath it all a consuming pulse. You go awandering among these mOlmtains of carbon, through this crevasse, down that valley, catching at each step a new glimpse of a tottering rocky pinnacle. The crazy beat of the flames incites yon to join them in a song: so each pathway becomes a musical phrase, each boulder a musi cal chord.
An individual note: of music, sound and electronics (A Galliard paperback) by Daphne Oram